Wood Engraving

Trout.jpg

This was my first attempt at wood engraving, done sometime last year. It is not a good drawing. It was a technical exercise, the results of which were promising enough to permit me further study in the medium. In retrospect, I wish the modeling—the rendering of light and dark—was much more extreme. This image is very flat. Still, it has some qualities I like.

I have executed a few more wood engravings since this trout: they will be posted ‘in the fullness of time’, as my boss would say, apparently quoting Paul Rand.

Trichrome

Trichrome

Trichrome is a simple interactive diversion that I made back in 1996, when using HTML frames was still really cool (I thought). While neither a game nor a tool, Trichrome could be useful to a few, entertaining to others, and numbingly dull to the rest. This is an excercise in basic HTML. It requires only a frames-capable browser and a delight in color. There are at least 17,550 possible variations. Instructions should not be necessary.

Special Note, 02/10/05—Color frames are adjustable! Click and drag the frame border between colors in order to change the amount (relative surface area) of color. Thanks to Douglas Campbell for indicating to me that this is a cool feature that is not at all obvious.

Start Trichrome

Quonset lust

LRI_Quonset_466.jpg

I just discovered this most interesting industrial compound. These buildings comprise Landisville Railroad, Inc. (LRI), a recently defunct railroad car building and repair shop just west of Landisville, Pennsylvania. LRI is represents the end of a short spur of track that branches off the Amtrak mainline at Salunga/Landisville.

I have always liked metal quonset huts for their rugged, no-nonsense construction and sheer visual appeal. The unpaved lot on which these are situated just intensifies the feeling. Notice the traditional 6-pane windows placed as different angles—chords of the circular surface they breach. Also interesting is the scalloped metal awning over the nearest window and over the window of the building in the center background. Sweet. There are several quonsets on this compound, which I am afraid will soon be lost to progress. If I could paint…

I will try to post more shots of this location when time permits.

The Private Press of Ian Schaefer

The scene is always changing in this shop. This is how it looked in February, 2005—a little cramped. On the right, in the background, is the recently acquired, pre-war Deckel pantographic engraver , which I am hoping to bring back to life. Someday it will be used to engrave brass matrices—or punches which in turn will be driven to form matrices—for casting new metal printing types of my own design. Casting type will eventually be accomplished with Monotype equipment like the composition machine that arrived here last spring.


A view of the shop, February, 2005.


Works in progress, a.k.a. piles of type.